Stan Winston, the Hollywood monster-maker whose designs include the Terminator, has teamed up with Professor Cynthia Breazeal of MIT, whose field is artificial intelligence, to produce Leonardo, a robot with "robot emotions." The fact that it looks like a cross between an Ewok and a Mogwai of Gremlins is purely coincidental. [This paragraph has been corrected post-publication.]
And speaking of toy tech, Vanity Fair takes a look at McFarlane Toys and declares this "a golden age of action figures." Private sources agree. Me, I wonder.
It's certainly an exciting time to be an action figure manufacturer. I mean, you can market figures of librarians, samurai and famous sinners. Granted, Eve appears to be a transvestite in green lacquer paint. But if he or she can make it, anybody can!
I dunno. I'm not knocking the craft that McFarlane and others have brought to what was a criminally underrated industry, ten years back. Nor am I a Toy Story II fan who believes that toys only exist to be played with, and the current toy-as-art market has no validity. (When toys become ONLY art-- when action figures stop being made for children-- THEN the industry has a problem, but only then.)
But it seems to me like the craft of action figures has itself become a kind of plaything. You see it in headlines like (deep breath): "BARBIE® DOLL AND KEN® DOLL CAPTURE THE MAGIC AND MAJESTY OF ARWEN AND ARAGORN OF THE LORD OF THE RINGS: THE RETURN OF THE KING." How many movies are going to get this treatment before even the most avid collectors have had enough to last 'em a while?
I don'y know why this should bother me, really. It is a great time for action figures. Maybe it's just being told that it's a "golden age." The problem with golden ages is that they end.
Correction: Orgasmatrons were not featured by name in Barbarella as previously reported, but in Woody Allen's Sleeper. The sex device in Barbarella was called an Excessive Machine. Special thanks to Lawrence King.